Premiere is bought for the ecosystem around it rather than for the editor itself. Every freelance editor can open your project, every agency runs it, After Effects round-trips seamlessly, and Team Projects let several editors work on one timeline. On a team, that interoperability is worth more than any individual feature.
The editor is genuinely good and improving. It handles mixed formats and mixed hardware more gracefully than Resolve, its AI tools — text-based editing, enhanced speech, auto reframe for vertical — save real time on ordinary work, and Frame.io review is built in rather than bolted on. In our two-project test it was the most forgiving across different machines.
The objections are cost and stability. £60 a month for Creative Cloud, forever, against a one-off £250 for Final Cut or nothing for Resolve — over five years that is a large sum, and it is the most common complaint in our review data. Stability is the second: reviewers still report crashes and project corruption more than they do with Final Cut, which after two decades is a fair criticism.
Our guidance: the right choice for teams, agencies and anyone who hires freelancers or works with After Effects. For a solo creator with no collaboration requirement, Resolve does more for nothing and Final Cut runs faster for less.